National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Reggie and the Full Effect

By Aaron Ladage

Published on July 08, 2008 at 2:13pm

Wild rumors are standard-issue for the intentionally enigmatic Reggie and the Full Effect. But if the latest Internet scuttlebutt is true, Last Stop: Crappy Town is KC-native James Dewees' (meaning the entire band's) final album before he goes full time as the keyboardist for My Chemical Romance. Such a change might explain why the unexpectedly serious Crappy sounds exactly like the album that a former hardcore drummer (Coalesce) and emo granddaddy (Get Up Kids) might make right before diving headfirst for the MTV spotlight. As its name suggests, this concept album traces the New York subway system, tunneling track by track into the depths of Brooklyn. Dewees navigates the journey brilliantly, gliding from harmonic opener "G" to the downright eerie finale, "N." And unlike previous albums, there's not a tongue-in-cheek Finnish metal band anywhere in sight. If this is what Reggie's been holding back for the past decade, the joke's been on us all along.